Trough this referendum you will evaluate the quality of the work of an artist. The result of this I called the “pure taste” indicator. The “pure taste” indicator is an evaluation of the quality of the work of an artist, without hidden variables used in the current art market to speculate with it.
With the results of this referendum and the “DHAdmann *Pure taste* indicator and cap-price formulas”, the *Pure* taste indicator of an artist will be calculated and published as soon the minimum quantity of evaluations are completed.
If you want to know more about this process and their mechanisms please click here
Christo was born in Gabrovo, Bulgaria, a small town in the Balkan Mountains. His given name was Christo Vladimirov Javacheff, and his parents were Ivan Vladimir Javacheff, a chemist and a businessman who ran a fabric factory, and Tzveta Dimitrova, a political activist and a secretary at the Academy of Fine Arts in Sofia, Bulgaria. Ivan and Tzveta were socially connected with artists and intellectuals around Gabrovo, and Christo grew up surrounded by progressive ideas and culture. Christo began creating art early on, inspired by his parents bohemian social circle, and was encouraged by several professors from the Academy of Fine Arts who would frequent the family home s to visit his parents. Politics also shaped his early life, and as a young boy Christo witnessed his birth country s invasion by the Nazis, and later by the Soviets. Source :http://www.theartstory.org/artist-christo.htm
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Review
Question 1 of 4
1. Question
Concept of the Artist
Christo and Jeanne-Claude?s huge, usually outdoor sculptures are temporary and involve hundreds of assistants in their construction. Seen as they are by all manner of passersby, including those who would not necessarily visit museums, these works force observers to confront questions regarding the nature of art. As the scope of the projects widened, increased time was needed for planning and construction phases, the securing of permits, and environmental-impact research. For each project, they formed a corporation, which secured financing and sold the primary models and sketches. Most installations were documented in print and on film, and the materials that created them were sold or given away after the projects were dismantled. Source :https://www.britannica.com/biography/Christo-and-Jeanne-Claude
How do you evaluate the concept of the artist?
Please give an answer between 1 and 100:
Question 2 of 4
2. Question
Artworks
Please evaluate the quality of the artworks, look at the congruence with its concept, its aesthetic meaning, etc.
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How do you evaluate the artwork of the artist?
Please give an answer between 1 and 100:
Question 3 of 4
3. Question
Art world contribution
In this question you will evaluate how important is the work of this artist for world of art.
In other words, if the contribution of their work is important and substantial for the world of art,
in areas like aesthetic, conceptual. Also if has been a raw model and inspiration for other generations of artists,
curators, museums, collectors, art historians, etc.
How is the contribution that the works of this artist give to the world of art?
Please give an answer between 1 and 100:
Question 4 of 4
4. Question
Society contribution
In this question you will evaluate how important is the work of this artist for our society.
In other words, if the contribution of their work is important and substantial for our current society,
our way of thinking, if has broken paradigms, if has been an influence for other persons like activists,
reporters, philosophers, politicians, etc.
How is the contribution that the works of this artist give to our society?