About this referendum

Trough this referendum you will evaluate the quality of the work of an artist. The result of this I called the “pure taste” indicator. The “pure taste” indicator is an evaluation of the quality of the work of an artist, without hidden variables used in the current art market to speculate with it.
With the results of this referendum and the “DHAdmann *Pure taste* indicator and cap-price formulas”, the *Pure* taste indicator of an artist will be calculated and published as soon the minimum quantity of evaluations are completed.

If you want to know more about this process and their mechanisms please click here

 

Artist presentation

After studying at the Academy of Fine Arts in Bologna, Grazia Toderi moved to Milan in 1992 and since 2005 has divided her time between Milan and Turin. The artist first gained critical attention in part as a result of her participation in Aperto ?93 at the 45th Venice Biennale, where she exhibited, in addition to photographs, the video Notiscordardime (Forget-me-not), where she used a fixed video camera to shoot a small plant assailed by a violent and continuous jet of shower water. Toderi tends to make detached recordings of actions that often unfold in an everyday environment, and her deliberately elementary use of video as an expressive means emphasizes her desire to concentrate on the subject and the action taking place, distancing herself from pure and simple creative will. All shot with a fixed video camera, the subjects of these early works are, in fact, very simple: one video, for example, shows the head of a large doll beaten by the windshield wiper of a car (Mia testa, mio cuore [My head, my heart], 1993), while the same doll is again shot in Soap, 1993, this time in circular motion inside a washing machine.
Source :http://www.graziatoderi.com/biography.htm
Grazia Toderi

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