arthur sopin and andreas rod
No, It Is Not Not Always is about the intimate stories of uncertain and eccentric individuals who celebrate the collective inventiveness and freedom that the seemingly simple act of being different provides. The exhibition shapes a historical and creative context for the experience of eccentricity and the great notion of the future where self-expression and creative freedom is not just celebrated but actively encouraged.
The exhibition, as an old-school, happening that challenge and interacts the senses through a multitude of provocation by visual art, installations, and performances.
No, It Is Not, Not Always aims to converge the dichotomies, divergences, and differences that persist, and celebrate their multifaceted diversity under one metamodernist narrative - a metaphorical collage of experiences and stimuli that explores the liminality of personality, queerness, and identity.
No, It Is Not, Not Always researches the harsh vs soft vision of reality that is closely linked to artist’s perception of the body in its physical, cultural, and psychic dimensions. The group of works shown intends to question the way in which we understand and relate to inherent aspects of human experiences, such as sexuality and eccentricity, uncertainty, other divergences but also to culture and the symbols that make it identifiable.
The interpretation of the metamodern narrative: The oscillation, wobbling and straying from side to side- just as happens during the thinking process or a thought creation. Overcoming the Self-Fear, getting skills by working out the free choices during the process of the Self-Recognition. This is the context we use along the ranges and the contradictions of two main instincts: Eros vs Thanatos.
The amplification of Corporeality. The figurativeness, the physicality of the content.
No It Is Not Not Always casts a particularly critical view towards gender stereotypes that seek to trespass cultural barriers of the western world.
Building the stories of
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