Trough this referendum you will evaluate the quality of the work of an artist. The result of this I called the “pure taste” indicator. The “pure taste” indicator is an evaluation of the quality of the work of an artist, without hidden variables used in the current art market to speculate with it.
With the results of this referendum and the “DHAdmann *Pure taste* indicator and cap-price formulas”, the *Pure* taste indicator of an artist will be calculated and published as soon the minimum quantity of evaluations are completed.
If you want to know more about this process and their mechanisms please click here
Monica Bonvicini studied art in Berlin and at Cal Arts, Valencia, CA. Since 2003 she holds a position as Professor for Performative Arts and Sculpture at the Academy of Fine Arts in Vienna. She lives and works in Berlin.Monica Bonvicini emerged as visual artist and started exhibiting internationally in the mid-1990s. Her multifaceted practice?which investigates the relationship between architecture, power, gender, space, surveillance and control?is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom. Dry-humored, direct, and imbued with historical, political and social references, Bonvicini?s art never refrains from establishing a critical connection with the sites where it is exhibited, the materials that comprise it, and the roles of spectator and creator. http://monicabonvicini.net/bio/
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Review
Question 1 of 4
1. Question
Concept of the Artist
With her provocative large-scale installations, Monica Bonvicini explores the links between sexuality and architecture, both challenging the male-dominated field and exposing the gendered quality of constructed spaces. Juxtaposing materials such as steel and glass with leather and rubber, Bonvicini?s works are at once thoughtful and cheeky?as seen in Leather Tools (2009), featuring mallets, axes, and other implements tightly encased in leather like fetishized objects. Bonvicini?s site-specific installations invite physical interaction by viewers, from Stairway to Hell (2003), a working staircase enveloped in hanging chains and shattered glass, to Don?t Miss a Sec (2004), the sleek chrome lavatory placed inside a cubicle made of two-way mirrors, enabling the user to see outside while remaining invisible in a busy area of London.https://www.artsy.net/artist/monica-bonvicini
How do you evaluate the concept of the artist?
Please give an answer between 1 and 100:
Question 2 of 4
2. Question
Artworks
Please evaluate the quality of the artworks, look at the congruence with its concept, its aesthetic meaning, etc.
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How do you evaluate the artwork of the artist?
Please give an answer between 1 and 100:
Question 3 of 4
3. Question
Art world contribution
In this question you will evaluate how important is the work of this artist for world of art.
In other words, if the contribution of their work is important and substantial for the world of art,
in areas like aesthetic, conceptual. Also if has been a raw model and inspiration for other generations of artists,
curators, museums, collectors, art historians, etc.
How is the contribution that the works of this artist give to the world of art?
Please give an answer between 1 and 100:
Question 4 of 4
4. Question
Society contribution
In this question you will evaluate how important is the work of this artist for our society.
In other words, if the contribution of their work is important and substantial for our current society,
our way of thinking, if has broken paradigms, if has been an influence for other persons like activists,
reporters, philosophers, politicians, etc.
How is the contribution that the works of this artist give to our society?
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