Trough this referendum you will evaluate the quality of the work of an artist. The result of this I called the “pure taste” indicator. The “pure taste” indicator is an evaluation of the quality of the work of an artist, without hidden variables used in the current art market to speculate with it.
With the results of this referendum and the “DHAdmann *Pure taste* indicator and cap-price formulas”, the *Pure* taste indicator of an artist will be calculated and published as soon the minimum quantity of evaluations are completed.
If you want to know more about this process and their mechanisms please click here
Fabian Marcaccio (Born 1963 in Rosario, Argentina) is an Argentine-Italian born artist whose trans-genre works have been exhibited worldwide. Marcaccio was born to a native Argentine mother and Italian father in Rosario de Santa Fe where he attended the University of Philosophy. In 1985, at age 22, he moved to New York City, where he continues to live and work. Marcaccio uses a variety of techniques, including both digital and by hand and his mutant paintings (paintants) strive to interrogate the position of craft in the digital and expand on early 20th century avant-garde legacy. With his degree in philosophy he carries with it a critical mindset that he applies to an investigation of the limits of painted space. Because of this analytical approach, he has been very effective in shaping the discourse surrounding his work; painterly gestures may flatten into pixelation or digital images applied to the canvas may morph into dripping, pigmented silicone. Marcaccio?s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking transfer techniques to make paintings and became well know in the 1990s for his manipulations of the conventions of painting. More recently, he has relied upon digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations, and ?Paintants? that combine digitally manipulated imagery, sculptural form, and three dimensionally painted surfaces.His works, including his 2006 piece ?Topographical Paintant? presented at the 2nd Seville Biennial, can reach colossal environmental sizes, across plazas or even through tunnels. Marcaccio has had many solo museum shows throughout the past decade, most notably in Western Europe, but also regular gallery exhibitions in New York and Germany. Source :http://jerome-zodo.com/fabian-marcaccio/
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Review
Question 1 of 4
1. Question
Society contribution
In this question you will evaluate how important is the work of this artist for our society.
In other words, if the contribution of their work is important and substantial for our current society,
our way of thinking, if has broken paradigms, if has been an influence for other persons like activists,
reporters, philosophers, politicians, etc.
How is the contribution that the works of this artist give to our society?
Please give an answer between 1 and 100:
Question 2 of 4
2. Question
Concept of the Artist
Using a variety of techniques, both digital and manual, Fabian Marcaccio?s mutant paintings (?paintants?) interrogate the place of craft in the digital era and expand on a legacy inaugurated by the early 20th century avant-garde. Marcaccio earned a degree in philosophy and has carried that critical mindset into an investigation of the limits of painted space. Because of that analytical approach, Marcaccio has been incredibly effective in shaping the discourse around his work. His painterly gestures may flatten into pixilation or digital images applied to the canvas may morph into dripping, pigmented silicone. Recent works, such as his 2006 Topographical Paintant presented at the 2nd Seville Biennial, can reach colossal, environmental sizes, drooping across plazas or through tunnels. Others are smaller, in particular, his digital animations and grayscale drawing hybrid ?draftants.? Marcaccio has had numerous solo museum shows over the past decade, especially in Western Europe, as well as regular gallery exhibitions in New York and Germany. Source :http://www.artspace.com/fabian_marcaccio
How do you evaluate the concept of the artist?
Please give an answer between 1 and 100:
Question 3 of 4
3. Question
Artworks
Please evaluate the quality of the artworks, look at the congruence with its concept, its aesthetic meaning, etc.
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How do you evaluate the artwork of the artist?
Please give an answer between 1 and 100:
Question 4 of 4
4. Question
Art world contribution
In this question you will evaluate how important is the work of this artist for world of art.
In other words, if the contribution of their work is important and substantial for the world of art,
in areas like aesthetic, conceptual. Also if has been a raw model and inspiration for other generations of artists,
curators, museums, collectors, art historians, etc.
How is the contribution that the works of this artist give to the world of art?
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