About this referendum

Trough this referendum you will evaluate the quality of the work of an artist. The result of this I called the “pure taste” indicator. The “pure taste” indicator is an evaluation of the quality of the work of an artist, without hidden variables used in the current art market to speculate with it.
With the results of this referendum and the “DHAdmann *Pure taste* indicator and cap-price formulas”, the *Pure* taste indicator of an artist will be calculated and published as soon the minimum quantity of evaluations are completed.

If you want to know more about this process and their mechanisms please click here

 

Artist presentation

Daniel Richter was born in 1962 in Eutin (Germany). Today, he lives and works in Berlin. The artist has shaped painting in Germany since the 1990s as few others have done. In his large-scale oil paintings, Richter dovetails set pieces of art history, mass media and pop culture into idiosyncratic, narrative pictorial worlds. Daniel Richter studied 1992-1996 with Werner Büttner – one of the protagonists, along with Martin Kippenberger, of the revival of expressive trends in painting during the 1980s – at the Hamburg Academy of Fine Arts, and worked as assistant to Albert Oehlen. Initially, he did abstract paintings, with a cosmos of forms intensely colourful to the point of being psychedelic – somewhere between graffiti and intricate ornamentation.

Since 2002 he has painted large-scale scenes filled with figures, often inspired by reproductions from newspapers or history books. These show conflict and menace in excessive aggression and vitality. The symbolist painter James Ensor and the pioneer of expressionism, Edvard Munch, might be seen here as Richter’s artistic forebears. The representation of artificial light, flashlight, thermal image or X-ray picture evokes an atmosphere of artificiality and nervosity. The theme of total surveillance seems to be an important motif in Richter’s œuvre – the association with infra-red and thermal imaging cameras is unavoidable, revealing a paranoid view. Richter’s subjects suggest allusion to current politics, but on closer inspection, we see that this is not so.

reference: http://ropac.net/artist/daniel-richter-1

Links with more information about the artist:

Wikipedia
Youtube
Artfacts Profile
CFA

daniel_richter - odbk - dhadmann

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