by Marat Guelman "How do you love contemporary art?" - is a provocative question. It is supposed to be some kind of bitter medicine, which by right and wrong must be handed to a child. And how to love reading?...

By Denis Alize Ünal In the evolving landscape of contemporary art, the traditional "white cube" gallery model that is characterized by its sterile and minimalist aesthetic has increasingly become a point of discussion. Once celebrated as a neutral space that...

Reflections from a Conference and Lessons for ODBK by Mark Barrett In February, I attended an interesting conference at Sotheby’s Institute of Art in London called “Curating and the Art Market,” in my capacity as the London and UK Representative for...

by Nicole Cunha Latin America has, for years, been striving to overcome the legacies of its colonial past — a history that spread across the region, subordinating it to so-called "developed" countries, primarily in Europe and the United States. This...

Inclusive curation Implementing EDI and Compliance strategies in museums and art collections This is a summary of the Lecture given for our ODBK team member Kornelia Starczewska at the Conference "(CURE)ators UAP: (Re)defining Curatorship – Contemporary Practices and Theories of Curating" – Paper titled “Inclusive...