Flavio Sciolè
Aesthetics which is a fundamental part of the artist’s research, penetrates ethics and in a parallel the two travel through modern man emotions-actions by exploring the dark sides, by drowning in the twists and turns of the mind, in the dark niches of the psyche. The self-inflicted injury, the certain breaks in time, the antibody as an act which prevents, the vocal expression which repeats itself and wonders have an important place between the psychophysical zones explored in the art and life path. The paradigm of the whole path is the stiff acting. The wrinkle, the pseudo-theatrical mistake is not cleared as the rule would indicate but the artist stops there (and becomes anti-artist) and wonders voluntarily, stumbles, reiterates and becomes a mistake, the mistakes and therefore the man, since a perfect man doesn’t exist. By remaining stiff in the body and in the voice the Man remains there and exhibits his own imperfection.
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Artist in Demarchy process