How web2 and web3 help DEI for museums according to ChatGPT

How the web2 and web3 could help to create more equality and diversity in the selection of artists and artworks in contemporary art museums and art collections? Web2 and Web3 technologies hold potential to make art more inclusive, diverse, and representative by broadening access to platforms and resources for artists from underrepresented backgrounds, enabling decentralized [...]

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Metrics DEI Musuems according to ChatGPT

What are the metrics to define a contemporary art museum or a contemporary art collection that is diverse and equal in the selection of artists and artworks? Assessing the diversity and equity of a contemporary art museum or collection requires both quantitative and qualitative metrics, as these help gauge representation across various identity, cultural, and [...]

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Afri-Art Connect: Bridging African Culture and Artistic Advocacy in Northern Cyprus

As Northern Cyprus grows into a hub for international education, a unique cultural evolution is taking place, largely fueled by the vibrant presence of African students and migrant communities. Among the mosaic of cultures here, African voices are starting to emerge more prominently—contributing to a richer, more inclusive artistic landscape. This is where Afri-Art Connect, [...]

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Museums DEAI Actions Summarization

By DHAdmann  In life everything is interconnected and things depend on each other to exist. This rule is also applied when we want to create something new, we need raw materials to transform them and create the new thing, so the new thing depends on others, in my endeavor to create EDI in the selection [...]

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What does “diversity” should mean? (at least for the art world)

By DHAdmann After reading a couple of articles and reports made by museums about the commitments made to create more “diversity” in their art institutions after the Black Lives Matter movement, I realize that they got carried away by the pressure of complaint letters, protests, and media. They didn’t set up a first logical question [...]

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About Me

David Hinojosa Admann

Director and founder of the ODBK

Originally from Mexico, David Hinojosa Admann now lives and works in Berlin. With a background in computer science and marketing, Hinojosa Admann studied and obtained his MFA in Madrid 2003, and has since exhibited extensively throughout Europe and Central America. In 2005 he launched Stockartist.org, a stock exchange for artists and an online art market simulator. This was shown at ARCO Madrid, in Arte Alameda and TransitioMX, and named one of the most influential electronic artists in Mexico. He worked as an advisor for Artfacts.Net developing the "artist ranking" and online tools for art collectors. In 2016 founded the Organization for the Democratization of the Visual Arts (ODBK) a activist organization whose objective is to insert a new economic model and reference for the art market, ODBK currently has more than 600

members from around the world. Hinojosa Admann’s practice ranges from traditional media, like drawing and painting, to multidisciplinary and media and artistic research. His projects address the relationship between conceptual art, commerce, and democratization of the contemporary art world. David Hinojosa Admann’s work critically, and sometimes humorously, reflect on the circumstantial phenomena of the art market.

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