Injustice as Law: The Prohibition of DEI Programs in Texas

The state of Texas has recently made headlines with its controversial decision to prohibit Diversity, Equity, and Inclusion (DEI) programs in public institutions, including higher education and government agencies. While proponents argue that the move is aimed at fostering neutrality and preventing “woke ideologies” from influencing policy, critics view it as an overt attack on [...]

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The Cost of Cultural Austerity: Berlin’s Budget Cuts and Their Impact on the Arts

Berlin, often heralded as Europe’s creative capital, is now grappling with an unsettling decision: significant budget cuts to its cultural sector as part of the Berlin Senate’s financial realignment. The move has sparked widespread concern among artists, cultural institutions, and advocates who see it as an attack on the heart of Berlin’s identity and economy. [...]

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How web2 and web3 help DEI for museums according to ChatGPT

How the web2 and web3 could help to create more equality and diversity in the selection of artists and artworks in contemporary art museums and art collections? Web2 and Web3 technologies hold potential to make art more inclusive, diverse, and representative by broadening access to platforms and resources for artists from underrepresented backgrounds, enabling decentralized [...]

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Metrics DEI Musuems according to ChatGPT

What are the metrics to define a contemporary art museum or a contemporary art collection that is diverse and equal in the selection of artists and artworks? Assessing the diversity and equity of a contemporary art museum or collection requires both quantitative and qualitative metrics, as these help gauge representation across various identity, cultural, and [...]

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Afri-Art Connect: Bridging African Culture and Artistic Advocacy in Northern Cyprus

As Northern Cyprus grows into a hub for international education, a unique cultural evolution is taking place, largely fueled by the vibrant presence of African students and migrant communities. Among the mosaic of cultures here, African voices are starting to emerge more prominently—contributing to a richer, more inclusive artistic landscape. This is where Afri-Art Connect, [...]

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About Me

David Hinojosa Admann

Director and founder of the ODBK

Originally from Mexico, David Hinojosa Admann now lives and works in Berlin. With a background in computer science and marketing, Hinojosa Admann studied and obtained his MFA in Madrid 2003, and has since exhibited extensively throughout Europe and Central America. In 2005 he launched Stockartist.org, a stock exchange for artists and an online art market simulator. This was shown at ARCO Madrid, in Arte Alameda and TransitioMX, and named one of the most influential electronic artists in Mexico. He worked as an advisor for Artfacts.Net developing the "artist ranking" and online tools for art collectors. In 2016 founded the Organization for the Democratization of the Visual Arts (ODBK) a activist organization whose objective is to insert a new economic model and reference for the art market, ODBK currently has more than 600

members from around the world. Hinojosa Admann’s practice ranges from traditional media, like drawing and painting, to multidisciplinary and media and artistic research. His projects address the relationship between conceptual art, commerce, and democratization of the contemporary art world. David Hinojosa Admann’s work critically, and sometimes humorously, reflect on the circumstantial phenomena of the art market.

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