Art and Democracy: Toward a More Inclusive Future

By Nycole Cunha Art has always been more than an aesthetic experience, it is a mirror of society, a tool for change, and a language that transcends borders. Art is a deeply human experience, one through which we can explore and express our most profound emotions, thoughts, and stories. Furthermore, it allows us to connect [...]

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ODBK – AAF Partnership

Who is ODBK?  ODBK first launched in 2017, titled “Organization for the Democratization of the Visual Arts”. In 2021 our program “Equality and Diversity Certification” providing us distinction within the arts market, focusing on progressive economic systems, a more democratic world and increased accessibility in the art world. Our programmes became recognised and a step [...]

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The Role of Cultural Heritage in Conflict and Post-Conflict Recovery Country: Bosnia and Herzegovina

by Medina Munawwarah The topics of focus is on the protection and restoration the protection and restoration of cultural heritage in conflict-affected regions. Countries such as Ukraine and Palestine face severe threats to their cultural sites, similar to what Bosnia and Herzegovina experienced during the 1990s war. Recognizing cultural heritage as a vital element of [...]

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A text about how to love contemporary art

by Marat Guelman “How do you love contemporary art?” – is a provocative question. It is supposed to be some kind of bitter medicine, which by right and wrong must be handed to a child. And how to love reading? By forcing it? Make reading a habit? This text is not for those who defiantly [...]

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From White Cube to Community

By Denis Alize Ünal In the evolving landscape of contemporary art, the traditional “white cube” gallery model that is characterized by its sterile and minimalist aesthetic has increasingly become a point of discussion. Once celebrated as a neutral space that elevated art beyond the context, the white cube is now often critiqued for reinforcing detachment, [...]

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About Me

David Hinojosa Admann

Director and founder of the ODBK

Originally from Mexico, David Hinojosa Admann now lives and works in Berlin. With a background in computer science and marketing, Hinojosa Admann studied and obtained his MFA in Madrid 2003, and has since exhibited extensively throughout Europe and Central America. In 2005 he launched Stockartist.org, a stock exchange for artists and an online art market simulator. This was shown at ARCO Madrid, in Arte Alameda and TransitioMX, and named one of the most influential electronic artists in Mexico. He worked as an advisor for Artfacts.Net developing the "artist ranking" and online tools for art collectors. In 2016 founded the Organization for the Democratization of the Visual Arts (ODBK) a activist organization whose objective is to insert a new economic model and reference for the art market, ODBK currently has more than 600

members from around the world. Hinojosa Admann’s practice ranges from traditional media, like drawing and painting, to multidisciplinary and media and artistic research. His projects address the relationship between conceptual art, commerce, and democratization of the contemporary art world. David Hinojosa Admann’s work critically, and sometimes humorously, reflect on the circumstantial phenomena of the art market.

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